Orphic

Something that’s struck me in my research on not just Greek theatre, but also on theatre in general, is how scholars have, in the past, prioritized reading—and only reading—extant texts, especially theatrical texts, rather than thinking of them as performance pieces. I feel like it's vital to examine these pieces as holistically as possible, to take into account all of the different possible forms, and to make claims based on this wider view of the text, rather than just one